A good TV show begins well, but a great TV show must end well. With a bang, not a whimper.
Many critically acclaimed shows would have a tough time with that definition. For example, Battlestar Galactica was a wildly uneven ride
. It started extremely well (the mini series and the short first season). It lost a bit of steam in the 2nd season and by the middle of the 3rd I began to suspect that Ron D Moore didn’t really have a plan about how to end his story. Nevertheless, BSG’s mid-season and season finales remained very good, but they left the rest of the season looking like filler.
The mid-season finale for the fourth season, in particular, was excellent and would have been a perfect ending for the series. Instead we had to watch the actual ending, which I liked on first viewing but soured on as soon as I thought about it for two minutes (Note: Spoilers ahead). Not because of the more implausible plot points (“Let’s give up all our technology and go back to the stone age! Ooh, angels!”) but because of the giant deus ex machina planted in the middle of the story (“God did it!”). BSG often hit high notes that other shows struggled to achieve, but its flaws are hard to ignore.
By contrast, a lesser-known show called The Shield qualifies. It started reasonably — an interesting police procedural, not a bad series but not great either. But it improved over time
. In later seasons, it cut the fat to an astonishing degree, becoming almost mini-series like. It also brought in excellent actors like Glenn Close and Forest Whitaker to beef up the already excellent cast. And the final episode was amazing. That is how you do a character-driven ending without sacrificing plot (Ron Moore take note). I was left wondering about the fate of a major character right upto the last few minutes.
Now, in a few weeks, Lost — another long-form TV series — will come to a close. It started with a very strong first season, but lost steam during the second and most of the third. Luckily the showrunners recognized this and trimmed the fat, and as a result season 3 ended on a high note and the shortened seasons 4 & 5 and what we’ve seen of season 6 have been better for their efforts
. Lost’s innovative and complex narrative has served it well in episodes like Through the Looking Glass and The Constant, but will the story hold up under the weight of all the mystery? This week’s episode, Ab Aeterno, promises great things. I’m really hoping showrunners David Lindelof and Carlton Cuse don’t lose their way.
produces a weepie
, but :‘( and :’( produce nothing.




